If you think installing tracking software to spy on your reports would make you more comfortable with extended remote work, you have failed as a manager.
Watched I Am Trying To Break Your Heart again last night and as a reult, I am now having Complicated Feelings about the Tweedy/Bennett dynamic.
Now that I've had a chance to rewatch The Rise of Skywalker a couple times, I feel comfortable ranking the films. Posting it here for posterity:
- The Empire Strikes Back
- Rogue One
- The Force Awakens
- Return Of The Jedi
- A New Hope
- The Rise Of Skywalker
- The Last Jedi
- Attack Of The Clones
- Revenge Of The Sith
- The Phantom Menace
Thank you for your time.
I’ve consumed a lot of “how to lead remotely" content lately (for obvious reasons) and so much of it boils down to:
- acknowledging humanity
- meeting your reports where they are
- demonstrating empathy
- active listening
So, like… what were leaders doing before last week?
My dude “shipped” his first Roblox game this morning 👨🏻💻🕹
Shouts to The National for the 3-color print job on the insert for “Sleep Well Beast.”
If you were expecting a linear memoir, or “here’s what happened the night I wrote ‘Flower,’ you’re going to be a bit disappointed. Phair abandons the linear format that plagues many otherwise interesting memoirs and instead presents a series of stories that seek to answer the question “why are you like this?”
She's always direct, never pulling punches, even when she's shining a light on her own behavior. She never apologizes, but rather presents her truth and leaves interpretation up to the reader.
Being a huge fan of her discography isn't required to enjoy this book; in fact, she devotes vanishingly few pages to it. Most of the musical discussion that is present in the book focuses on the aftermath of her 2003 self-titled record, and how exhausting and uncomfortable her brush with pop stardom felt for her. It never comes off as pity-seeking, but rather "these were the consequences of choices I made."
McDonald goes deep on the "who" and the "what" and touches on the "how," but doesn't dive deeply enough into the "why" for my liking. An interesting backgrounder, but not much more.
Bought myself a belated Christmas gift: the 3LP reissue of Wolf Parade’s “Apologies to the Queen Mary.” Sub Pop knocked it out of the park on this package: the remastered album on 2 LPs, a third that collects the EPs that led up to the record’s release, plus a heartfelt essay from Sean Michaels (of Said The Gramophone fame).
At a time when every new indie band either seemed to be from Canada or have “Wolf” in their name, these guys stood out and created a record that aged better than any of the other Blog Rock records of the early 2000s (yes, that includes “Funeral”). Simultaneously urgent and timeless, it’s a minor classic.
Might mess around and #goveg in 2020, who knows