The news of Matthew Sweet’s stroke is devastating. Please join Mike Mills, Peter Buck, Sebastian Steinberg, myself and thousands of others who have been impacted by Sweet’s music in donating to the GoFundMe for his care and recovery.

Good Looks live at Johnny Brenda's, Philadelphia, PA

Fun band, fun venue, fun times. I think these guys really have something.

And it’s always great to see the homie The Farmer Jones in person.

Good Looks Concert Setlist at Johnny Brenda’s, Philadelphia on August 11, 2024 | setlist.fm

Tyler Jordan of Good Looks on stage at Johnny Brenda’s. He is playing a red Gibson hollow-body guitar and rocking out a bit

Good Looks on stage at Johnny Brenda’s

The Farmer Jones and I take a pre-show selfie. I am raising a clear plastic cup full of PBC’s Kenzinger pilsner

Barking On Command: R.E.M.'s Monster Tour

Inspired by this tweet from Matthew Perpetua, pointing out that R.E.M.’s 1995 Monster tour featured a veritable who’s who of contemporaneous alt music, the first half of the playlist is a grab bag of artist who opened for R.E.M. during that international trek, including Sonic Youth, Radiohead, The Cranberries, Grant Lee Buffalo, PJ Harvey, Blur, Oasis, Sleeper and Belly. The second half is a super-sized representation of R.E.M.’s setlists at the time.

(Yes, I know the shows with PJ Harvey opening were cancelled, and that the Blur and Oasis shows were probably more like co-headlining. Shut up and enjoy the playlist.)

Listen on Apple Music, Spotify, or Last.fm.

Having a “maybe my favorite R.E.M. album is actually Monster?” kind of evening.

I respect Ted Leo for a lot of reasons, but one of them is that he’s his own guitar tech.

Ted Leo fiddling with his amp

Ted Leo with gaffers' tape

Ted Leo setting up his guitar rig

Ted Leo taping down his guitar cable

All Under Heaven’s debut album is out today, and it’s a banger. Strongly, strongly recommended if you like Hum, my bloody valentine, Slowdive, Lush, etc.

That’s right.

Screencap from Apple Music Replay 2023: You played 8,263 songs, one was your anthemScreencap from Apple Music Replay 2023: "Top song: Sleep 1, Sigur Ros, 124 plays"

An Opinionated History of Modern Rock

Hypothesis: while it is usually impossible to pick a precise genesis of any cultural movement, for the purposes of this exercise, R.E.M.’s “Radio Free Europe” gave birth to “modern rock,” and Radiohead’s “Paranoid Android” killed it. I slid in some obvious precursors to R.E.M. and covered the dénouement and fallout from OK Computer as well.

This one has been kicking around my head for a while, inspired by tapes teenage me made off of Philly’s own WDRE (RIP), late nights staying up for 120 Minutes (their 1993 year end best of episode was a foundational text), countless mixtapes, mix CDs and playlists made and received over the years, and Matthew Perpetua’s exhaustive work cataloging and curating the last 40+ years of music (here’s a thread of his playlists I referred to heavily while creating this playlist.)

Listen on Apple Music, Spotify or Last.fm.

Beaver Hall, Junior Year

Inspired by the announcement of REM’s “Up” reissue, I took a trip back to Fall ‘98, my first semester away at Penn State. Here’s the contemporaneous music that was spinning in my dorm room on the 4th floor of Beaver Hall.

Listen on Apple Music, Spotify or Last.fm.

Strong Enough?

Pulling the thread that connects Sheryl Crow’s “Strong Enough” and boygenius’s “Not Strong Enough” in both directions.

Listen on Apple Music, Spotify or Last.fm.

Janet F*cking Weiss

A testament to the sheer power and grace of Janet Weiss. Featuring Sleater-Kinney and Quasi, along with her time in the Jicks and select guest appearances.

Listen on Apple Music, Spotify or Last.fm.

My favorite music of 2022

Lots of good stuff this year. Here’s a playlist:

My very favorites

Additionally, here are a few albums and singles I wanted to call special attention to. They’re presented alphabetically becasue I’ve choosen to ditch the “best of” framing I often go with; I’m not writing music criticism here, and I have no editor telling me what to do. I don’t even know how many things I called out, so this isn’t a top-ten list, either! It’s just What I Loved in 2023. Mostly captured for me, but if others get something out if it, all the better.

Album: Animal Collective: Time Skiffs ✅

Their best group of songs since MPP, for my money.

Album: Big Thief: Dragon New Warm Mountain I Believe In You ✅

A rare double record that never overstays it’s welcome, but rather creates a world I want to live inside, not unlike the White Album or Wildflowers.

Album: Destroyer: Labyrinths ✅

After nearly two decades of dabbling, I have finally become fully Bejar-pilled.

Song: Gabriels: Remember Me

If you’re not moved when the full strings kick in at about 2:30, I don’t know what to tell you.

Song/Video: Ghost: Spillways

I have no commentary on this band or their schtick, but I do know a well-written sugary pop-metal jam when I hear it.

Song: Goose: Dripfield

The vapors of this song have seeped into my bones.

Song: Hammered Hulls: Abstract City

We all need a bit of classic Dischord sound in our lives, and this tune checks that box with authority.

Albums: King Gizzard & The Lizard Wizard’s entire 2022 output, specifically Omnium Gatherum and Changes

I am intimidated by this band. They are very Extra in the best sense of the word.

Song: Steve Lacy: Bad Habit

R&B from another planet. I dig. A lot.

Album: The Mountain Goats: Bleed Out

John Darnielle is a national treasure.

Album: Aofie O’Donovan: Age of Apathy ✅

I’ve really been enjoying Aofie’s work since I fell down a deep Live From Here well several years ago. She truly brings all of her unique talents as a songwriter, vocalist, arranger and guitarist together on this record. (Related: this Tiny Desk concert is delightful.)

Song: Angel Olsen: Go Home

Haunting.

Album: Beth Orton: Weather Alive

Haunting, but in a different way. So great to have new music from Beth Orton.

Album: Plains: I Walked With You A Ways

This record gave me a lot of reminders of my mom’s early-90s pop country radio phase. (I mean this as a compliment, obviously.)

Song: Maggie Rogers: That’s Where I Am

Another single that grabbed me by the lapels and demanded my full attention from its first notes.

Album: Will Sheff: Nothing Special

I couldn’t describe this record better than Sheff himself did in this wonderful interview with Fluxblog’s Matthew Perpetua:

My experience of art is like the wind in the trees. You blink and you miss it. A little bit of it is like “Did you guys hear what I heard?” It’s a very quiet, subtle thing that gets under your skin.

Album: Sister Ray: Communion ✅

If I had to pick a “favorite” record of 2022, it would probably be this. Those that know me and my tastes will have no problem figuring out why.

Album: Soccer Mommy: Sometimes Forever ✅

A nearly perfect distillation of my late-90s record collection. I mean this as a high, high compliment. Truly another one of my absolute faves on the year.

Album: Spoon: Lucifer On The Sofa

Their best since probably 2007’s Ga Ga Ga Ga Ga. All killer, no filler.

Song: SRSQ: Winter, Slowly

The first time I heard that little whammy-bar vocal effect on the chorus (starts around 0:50), something in my brain slipped loose and my thoughts still aren’t thinking right.

Album: Bartees Strange: Farm to Table ✅

This is truly an Important Record, a call-to-arms, a statement of purpose.

Song: Tenci: Two Cups

Tenci came onto my radar after seeing them open for Hop Along in 2021, and I’m really glad they did.

Album: Sharon Van Etten: We’ve Been Going About This All Wrong ✅

Much like the Destroyer record, this was the one that converted me from “hey, SVE is pretty cool” to a full-fledged fan.

Album: Immanuel Wilkins: The 7th Hand ✅

A gifted arranger who can still layer sheets of sound with the best of them.

(✅ indicates that I’ve purchased the album on vinyl, for accountability’s sake. Support the musicians you love, folks!)

Playlist available on Apple Music, Spotify and Last.fm.

My favorite albums of 2021

Once again, I pushed myself to listen to lots of new music this year. A full six of my top ten records were by artists who are either new or new to me… seven if you count Aeon Station, who are technically a “new” band. That’s pretty good, I think!

10. Dan Campbell: Other People’s Lives

I had foolishly dismissed The Wonder Years as kiddie emo that Wasn’t For Me (I was wrong!) until I read this piece on Campbell’s reasons for writing and releasing this record. Campbell has that rare gift for making the extremely specific feel universal.

9. Ani DiFranco: Revolutionary Love

I always have and probably will always have a soft spot for Ani DiFranco, and this record’s “Ani as funk bandleader” vibes really agree with me.

8. Julien Baker: Little Oblivions

She still manages to bring the same level of emotional devastation, even with full band arrangements on many tracks and a more produced sound.

7. Lunar Vacation: Inside Every Fig is a Dead Wasp

Right in my sweet spot: vaguely shoegazy indie with female lead vocals. (See also: Snarls from last year’s list.)

6. Grace Vonderkuhn: Pleasure Pain

An absolute ripper of a rock-and-roll record from my favorite Wilmington, DE-based power trio, and a huge leap forward from their last record.

5. Geese: Projector

There’s no way a bunch of teenagers made this record, right? Either way, Geese have spent a bunch of time with their dad’s Talking Heads records and their older sister’s Strokes records and turned out this impossibly tight, ambitious and mature record.

4. Aeon Station: Observatory

I could write a book about this record, which I’ve been waiting for, in a roundabout way, for about 15 years. I hate that it came out under these circumstances but I’m glad this record is finally available to the public, because it is a triumph. (I am still very eager to hear the Charles Bissell portion of what was to be the follow-up to The Meadowlands, of course.)

3. William The Conqueror: Maverick Thinker

An incredible Scottish swamp-blues record that sounds like a lot of things I love but also not quite like anything I’ve ever heard before.

2. Katy Kirby: Cool Dry Place

Hard to overstate how much this record came out of nowhere and smacked me right between the eyes. It has an emotional resonance for me unlike any record since maybe Bark Your Head Off, Dog.

1. Japanese Breakfast: Jubilee

Reading Crying in H Mart this summer was… a lot, but it helped me understand this record for the celebratory masterpiece it truly is. If joy truly is an act of resistance, this record is as punk as it gets.

Honorable Mentions:

Playlist available on Apple Music and Spotify.

I’ve been listening to to The Jordan Lake Sessions, Volumes 3 & 4 by The Mountain Goats a lot lately. These sets were recorded live in August of 2020, before the third wave of Covid-19 ravaged the United States, and are fabulous (as are Volumes 1 & 2, of course.)

On my last listen, I was struck by this reflection from John Darnielle after “Against Polution:”

There’s this thing, when you play a song and if it really goes someplace really cool during this horrifying pandemic, you go, “Man, what a pity it is that we can’t play that in a room full of people who are excited to be there and everybody feels safe and all that stuff!” I’ve been working a riff like this for half my life, but… Basic things life safety, when you’re young, when you’re seventeen, and you hear somebody talking about safety, you go “Oh my god, you ancient person, you five thousand year old man, talking to me about safety. What do I care?” and then in a time like this you think, “You know what is awesome? You know what is truly spectacular? Like, really worth dwelling on? Safety.”

Hop Along at Anchor Rock Club, Atlantic City, NJ

Setlist

Best of 2020 (The Albums)

I’ve done some sort of year end, “best of” list as long as I can remember. This probably hasn’t been the “best” year of music over that span, but it certainly has been the most important, to me. We’ve all had a trying year, to put it mildly. These are the albums that helped get me through it.

The Albums

10. No Thank You: Embroidered Foliage

A delightfully tight, punk-adjacent indie rock record. Would have fit perfectly on Kill Rock Stars' mid-90s roster.

9. Fiona Apple: Fetch The Bolt Cutters

It takes a lot of work to make something so meticulously crafted sound so loose and “messy.”

8. Laura Marling: Song For Our Daughter

A near-perfect singer/songwriter record.

7. Ellen Siberian Tiger: Cinderblock Cindy

As I noted on Twitter, this record stopped me in my tracks and lit my hair on fire.

6. Lianne La Havas (S/T)

The cover of “Weird Fishes” is perfect, and somehow better than the original, but this record deserves way more than to be remembered as “the one with Weird Fishes on it.”

5. Snarls: Burst

This seems like it was grown in a lab specifically to check my boxes: dreamy, almost-shoegazy mid-90s indie vibes with wonderful female lead vocals.

4. Waxahatchee: Saint Cloud

This was a slow burn for me, but really worth the time… just a perfect record for Saturday afternoon, Sunday morning, or almost any other time.

3. Empty Country (S/T)

Was never a huge Cymbals Eat Guitars fan, but this gem from former CEG frontman Joseph D’Agostino’s new project is a pastoral masterpiece. It’s made waiting for that new Wrens record a liiiiiitle bit easier.

2. HAIM: Women In Music Pt. III

The Fleetwood Mac comparisons work for me, not not necessarily because of the sound (although there are plenty of late-70s Laurel Canyon vibes here); it’s more the sheer relentlessness of the quality of the hooks in every. single. song.

1. Hum: Inlet

Dropped out of nowhere in the middle of summer and swallowed me whole. I can’t do justice to describe this perfect soundscape of a record, but Sebastian Sterling can.

Also great

The Playlists

I knew nothing at all about Ellen Siberian Tiger as of two days ago, but this record got mentioned on The Key and honestly, it’s lighting my hair on fire.

A close-up of the insert to The National’s “Sleep Well Beast”

Shouts to The National for the 3-color print job on the insert for “Sleep Well Beast.”

Wolf Parade’s “Appologies to the Queen Mary” on reissued vinyl

Bought myself a belated Christmas gift: the 3LP reissue of Wolf Parade’s “Apologies to the Queen Mary.” Sub Pop knocked it out of the park on this package: the remastered album on 2 LPs, a third that collects the EPs that led up to the record’s release, plus a heartfelt essay from Sean Michaels (of Said The Gramophone fame).

At a time when every new indie band either seemed to be from Canada or have “Wolf” in their name, these guys stood out and created a record that aged better than any of the other Blog Rock records of the early 2000s (yes, that includes “Funeral”). Simultaneously urgent and timeless, it’s a minor classic.

Front cover of Pearl Jam’s Unplugged on vinyl

Jackpot.